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Israeli pianist Inon Barnatan is known widely for his compelling and insightful musicianship and elegant virtuosity, and as “a true poet of the keyboard, refined, searching [and] unfailingly communicative” (London’s Evening Standard). He has performed extensively with the world’s important orchestras, including those of Cleveland, Los Angeles, New York, Philadelphia, and San Francisco, and he has worked with distinguished conductors such as Robert Abbado, Lawrence Foster, James Gaffigan, and Pinchas Zukerman.

"a complete artist: a wonderful pianist, a probing intellect, passionately committed, and a capable contemporary-music pianist as well.” 

Alan Gilbert, Music Director, New York Philharmonic

Awarded the prestigious Avery Fisher Career Grant in 2009, he was recently named the New York Philharmonic’s first Artist in Association, a three-season appointment that promises multiple concerto and chamber collaborations with the orchestra. Barnatan’s recordings are critically acclaimed, and his album Darknesse Visible was named one of the “Best of 2012” by the New York Times. BBC Music magazine, in a review of his 2013 recording of Schubert’s late sonatas, declared that “this is superior playing, in which penetrating musicianship, compelling interpretive insight and elegant pianism achieve near perfect equilibrium.”

In the coming season Mr Barnatan will return to the Hollywood Bowl with the Los Angeles Philharmonic, debut with the Royal Stockholm Philharmonic, The Orchestre National de France and Louisville, New Jersey, Ulster, Vancouver and Quebec Symphony Orchestras, and perform with the Atlanta, Eugene, Milwaukee and National Arts Centre Orchestras. He will also make his solo recital debuts at the Celebrity Series of Boston and at the Harris Theater in Chicago, as well as European festivals such as the Chopin festival in Warsaw and the Jacobins festival in Toulouse, amongst others.



Inon Barnatan – First Artist-in-Association of NY Philharmonic – Makes Concerto Debut with Gilbert and Orchestra in Ravel – (March 19–24)

A major new partnership designed to foster a deeper and more rounded relationship between soloist and orchestra, the three-season Philharmonic appointment represents an all-too-rare opportunity.  Read more 

Inon Barnatan 2014- PianistPhoto: Marco Borggreve

The Boston Globe: Barnatan makes auspicious recital debut at Longy

"It was an amazing display of rhythmic, textural, and dynamic control...The technical facility and imaginative sensibility for which Barnatan has been widely heralded were apparent throughout the captivating recital" 

Published December 15, 2014  Read More

Barnatan NJSO

Newark Star-Ledger: NJSO plays Chopin and Brahms

"Barnatan gave a decisive, exacting take on the concerto's energetic, virtuosic moments and also displayed confidence and a feel for the work as he sunk comfortably into the composer's characteristic wistful, melodic mode. He created a mood that was bittersweet and nostalgic but not maudlin. The playing was smooth and dexterous with piquant accents at the extremes of the instrument and an appealingly focused, tapered tone.” (Ronni Reich) Published December 2, 2014 Read More

Barnatan Chicago Trip

Chicago Tribune – Inon Barnatan, poet, intellectual virtuoso

"Virtuosity was there throughout, which is to say, from the opening Bach E-minor Toccata through the lone encore, Felix Mendelssohn's Andante and Rondo capriccioso. Its most forceful display was in Barber's thunderously difficult Sonata, and the most beguiling came in Franz Schubert's late Sonata in A major, which after intermission gave a change of pace...What made the demonstrations of intellect and virtuosity special was Barnatan's variety of touch that conveyed both the piety and perfume of Franck's "Prelude, Choral et Fugue" in addition to the ache at the heart of the essentially sunny Schubert."

Published November 4, 2014 Read More

Barnatan Subculture 9-25-2014

The New York Times – A Multitude of Voices for a Busy Young Pianist, From Bach to Liszt to Jazz: Inon Barnatan at SubCulture’s PianoFest

On Tuesday he demonstrated, in one of the most thoughtful and effective recitals I have heard from a pianist under 40, a sensitivity reminiscent of two other New York institutions, Emanuel Ax and Murray Perahia. EX300 Publish Date: September 25, 2014 Read more

Classic Toulouse: Piano Revelation

Throughout this wonderful evening Inon Barnatan’s playing was living, vibrant, colorful, and constantly changing... every detail was technically dazzling. Published: September 13, 2014 Read More


  • April 10 2015
  • April 11 2015
Milwaukee, WI – Uihlein Hall

more info
Milwaukee Symphony Orchestra
Edo de Waart
SCHUMANN: Piano Concerto in A minor, Op. 54
  • April 16 2015
Winston-Salem, NC

more info
Secrest Artists Series of Wake Forest University
With Alisa Weilerstein
  • April 17 2015
Charlotte, NC – Halton Theatre

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Carolina Concerts Association
With Alisa Weilerstein
  • April 18 2015
San Juan, PR

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Pro Arte Musical, Inc.
With Alisa Weilerstein
  • April 26 2015
Sonoma, CA – Green Music Center

more info
Sonoma State University
With Alisa Weilerstein
  • May 1 2015
Boston, MA – Jordan Hall

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Celebrity Series of Boston
With Alisa Weilerstein
  • May 24 2015
London, UK – Wigmore Hall

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SCHUBERT: Piano Sonata in G D894
FRANCK: Prélude, Choral et Fugue
SEBASTIAN CURRIER: Glow (world première)
RAVEL: Gaspard de la nuit
  • May 26 2015
Calgary, Canada – Jack Singer Concert Hall

more info
Esther Honens International Piano CompetitionBARBER: Sonata in E-flat minor Op. 26
FRANCK: Prelude Chorale and Fugue
BRAHMS: Variations and Fugue on a Theme by Handel Op. 24



Schubert Late Sonatas

album-darknesse visible

Darknesse Visible

album-works for piano and violin

Works for Piano and Violin

album-inon barnatan plays schubert

Inon Barnatan Plays Schubert



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