“Virtuosity was there throughout, which is to say, from the opening Bach E-minor Toccata through the lone encore, Felix Mendelssohn’s Andante and Rondo capriccioso. Its most forceful display was in Barber’s thunderously difficult Sonata, and the most beguiling came in Franz Schubert’s late Sonata in A major, which after intermission gave a change of pace…What made the demonstrations of intellect and virtuosity special was Barnatan’s variety of touch that conveyed both the piety and perfume of Franck’s “Prelude, Choral et Fugue” in addition to the ache at the heart of the essentially sunny Schubert.”

Published November 4, 2014 Read More

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