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NEWS

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Beethoven’s First Concerto with the New York Philharmonic

In what will be his final subscription week as the Artist-in-Association at the New York Philharmonic, Inon Barnatan joins the venerable orchestra to play Beethoven’s First Piano Concerto under the leadership of Manfred Honeck. Rounding out the program is Mahler’s evocative and exciting First Symphony. Performances run from Wednesday, Feb 15 through Saturday, Feb 18. More info Here
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Inon Barnatan Tours with Alisa Weilerstein and Anthony McGill & Plays Beethoven in Final Subscription Week as New York Philharmonic’s Artist-in-Association

This February, Inon performs Beethoven’s Piano Concerto No. 1 – for the final subscription concerts of his three-year tenure as the New York Philharmonic’s inaugural Artist-in-Association (Feb 15–18). in January he reunites with MacArthur Award-winning cellist Alisa Weilerstein, his regular recital partner, and New York Philharmonic principal clarinetist, Anthony McGill, for a nine-city U.S. recital tour (Jan 18–29). Kicking off in Princeton, where the trio presents the world premiere of short stories by 2014 Grammy nominee Joseph Hallman (Jan 18), the tour includes dates at Washington’s Kennedy Center (Jan 19) and New York’s Alice Tully Hall (Jan 24). Read the complete news release here
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Complete Beethoven Concerto Cycle with the Orchestre Philharmonique de Marseille

Inon Barnatan joins the Orchestre Philharmonique de Marseille and conductor Lawrence Foster to perform a complete Beethoven concerto cycle over the course of two nights. On Thursday, December 1 he performs the Piano Concertos 2, 3 and 4 and on Friday, December 2 he performs the Piano Concertos 1 and 5, paired with the same composer’s Leonore Overture No. 2.

Inon is presently in the process of recording Beethoven’s complete piano concertos with his long-time collaborator Alan Gilbert and London’s Academy of St Martin in the Fields, representing the first time that ensemble will have captured the full cycle on disc.

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Solo Recitals in Oregon, Indiana, and New Orleans

Inon Barnatan has long been known as a particularly thoughtful programmer, choosing pieces that both stand alone and connect to one another in a variety of ways. Thus, for recitals in Oregon on November 13, Indiana on November 17, and New Orleans on November 20, he presents a program that includes Brahms’s arrangement for left hand of German Baroque master J.S. Bach’s Chaconne in D; a set of Variations by Brahms on a theme composed by Bach’s great contemporary Handel; and Ligeti’s Musica ricercata, one of the movements of which is an homage to Italian Baroque master Frescobaldi.

As the New York Times reported following Inon's recent Mostly Mozart debut, which included Bach, Handel, Ligeti, and much more: “Barnatan showed why he is one of the most admired pianists of his generation. … He played everything brilliantly.”

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Mozart with the Nashville and New Jersey Symphony Orchestras

Inon performs Mozart piano concertos in November with two American orchestras. On November 4 and 5, he makes his debut with the Nashville Symphony Orchestra, performing the Piano Concerto No. 24 under the direction of Vassily Sinaisky. Rounding out the program are Barber’s Essay No. 2 and Tchaikovsky's Manfred Symphony. Find ticket and more information here.

Three weeks later, Inon returns to the New Jersey Symphony Orchestra for the Piano Concerto No. 21 on November 26 and 27 under Hans Graf. Smetana’s The Bartered Bride Overture and Schumann's Symphony No. 2 are also featured on the program. Get tickets here.

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Leipziger Gewandhausorchester Debut, Plus Performances in Baltimore and Seattle

Inon Barnatan makes his debut with the Leipziger Gewandhausorchester under the baton of Alan Gilbert on October 20 with Beethoven’s Piano Concerto No. 2, followed by additional performances on October 21 and 22. The final performance in Leipzig is followed by a special “talk and performance” event at which both Inon and Alan join German TV personality Malte Arkona. The long-time collaborators — Alan Gilbert is Music Director of the New York Philharmonic, where Inon Barnatan serves as the inaugural Artist-in-Association — are also presently in the process of recording Beethoven’s complete piano concertos with London’s Academy of St Martin in the Fields, representing the first time that ensemble will have captured the full cycle on disc. 

Inon also performs Beethoven with two other orchestras in October, presenting the composer's Piano Concerto No. 3 first at the Baltimore Symphony Orchestra under Vasily Petrenko October 14-16 and then at the Seattle Symphony Orchestra under Ludovic Merlot on October 27 and 29.

In December, Inon looks forward to a complete Beethoven concerto cycle with the Orchestre Philharmonique de Marseille. In the new year, he completes his tenure as New York Philharmonic Artist-in-Association with Beethoven’s Piano Concerto No. 1 under the baton of Manfred Honeck.

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Rachmaninoff’s Piano Concerto No. 2 with the Jacksonville and Spokane Symphonies

Inon Barnatan joins the Jacksonville Symphony and Music Director Courtney Lewis to present his interpretation of Rachmaninoff’s Piano Concerto No. 2 on three evenings — Friday, September 20 through Sunday, October 2 — at Robert E. Jacoby Symphony Hall. Find tickets and more information about this performance — which also includes Julian Anderson’s Imagin’d Corners and Stravinsky's The Rite of Springhere.

One week later, Inon performs the same work with the Spokane Symphony Eckart Preu on Saturday, October 8 and Sunday, October 9, part of a program that also includes Valgeir Sigurðsson's Dreamland and Sibelius's Symphony No. 5. Find tickets and more information here.

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Inon Barnatan Now Represented by Askonas Holt in Europe

Inon Barnatan is thrilled to announce that he will now be represented in Europe by Olivia Lyndon-Jones at London-based artist management agency Askonas Holt. His worldwide management continues to be overseen by Patricia Winter at Opus 3 Artists in New York, and he is represented in Spain and Portugal by Eugenia Gentsis at Agencia Camera.

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Opening the Season with the New Century Chamber Orchestra

Inon Barnatan kicks off his 2016-17 concert season with San Francisco’s New Century Chamber Orchestra and Music Director Nadja Salerno-Sonnenberg, performing Mozart’s Piano Concerto No. 23 on four nights across the Bay Area. The series begins in Berkeley on Thursday, September 15, followed by two concerts in San Francisco on September 16 and 17 and a final stop in San Rafael on September 18.
Find tickets and more information here about the New Century Chamber Orchestra’s season-opening concerts, which also feature Anton Webern’s Langsamer Satz, Philip Glass’s Symphony No. 3, and Peter Heidrich’s Happy Birthday Variations.
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Recitals at Mostly Mozart and Aspen

On August 13, Inon presents a solo recital that marks his festival debut at Lincoln Center’s Mostly Mozart, highlighting repertoire inspired by the kind of dance suite popular in the Baroque with movements including a chaconne, allemande, courante, fuga, and others. What distinguishes the concert-length suite Barnatan assembled is that each movement is by a different composer, and the composers themselves span periods from the Baroque to the 21st century. Also featured on the program is the New York premiere of Variations For Blanca by Thomas Adès, who himself has a penchant for musical dialogue with past eras: his deconstruction of a Dowland song serves as the title track on Barnatan’s album Darknesse Visible, which earned the pianist a coveted spot on the “Best of 2012” list in the New York Times. The concert can be streamed live here on lincolncenter.org beginning at 10pm ET.

Five days after his Mostly Mozart debut, Barnatan performs an almost entirely different solo recital at the Aspen Music Festival. This summer’s program includes Ravel’s notoriously difficult Gaspard de la nuit, also recorded on Darknesse Visible, as well as the U.S. premiere of Grawemeyer Award-winning composer Sebastian Currier’s Glow. Currier’s piece was another Barnatan commission, and the pianist gave the world premiere in London’s Wigmore Hall a year ago. 

Later in the month, Inon returns to the Mostly Mozart Festival to join Garrick Ohlsson August 24-27 for Mozart’s Sonata in D for Two Pianos, K. 448 in David Geffen Hall, part of a program that also includes performances by the Mostly Mozart Festival Orchestra and Mark Morris Dance Group.

 

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Partnership with Vocier Titans Collection

Inon Barnatan is happy to partner with fine luggage maker Vocier as part of their Titans collection, a bespoke luggage series for select clients. Learn more and view the campaign here.
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Live Recording of Messiaen’s Des canyons aux étoiles… Now Available

Last summer, Inon joined an all-star orchestra of 44 musicians at the Santa Fe Chamber Music Festival in an account of Olivier Messiaen’s monumental and otherworldly twelve-movement, 90-minute orchestral masterpiece, Des canyons aux étoiles… (From the Canyons to the Stars…), conducted by festival Artist-in-Residence Alan Gilbert. Marking a major milestone in the festival’s history, the performance – featuring the largest ensemble ever gathered there for a single work – was recorded live and is now available from Entertainment One Music. In a work requiring staggering virtuosity from all players, Inon plays the notoriously challenging piano part, including the fourth and ninth movements (Le cossyphe d’Heuglin “The white-browed robin-chat” and Le moqueur polyglotte “The mockingbird”), both of which are scored for solo piano.
Commissioned by art patron Alice Tully for the U.S. bicentennial and premiered at Lincoln Center in 1974, Canyons celebrates the awe-inspiring beauty of the great canyons of southwest Utah, which include Cedar Breaks, Bryce Canyon, and Zion National Park. Encompassing a characteristically Messiaenic mix of birdsong, modernist experimentalism, and religious mysticism, the work expresses the composer’s faith in the power of nature to communicate the very essence of God.
Inon’s frequent collaborations with Alan Gilbert — who launches his eighth and final season as Music Director of the New York Philharmonic next month — include his three-year residency as the New York Philharmonic’s inaugural Artist-in-Association. Inon and Alan look forward to reuniting in the coming season to continue recording Beethoven’s Five Piano Concertos with the Academy of St. Martin in the Fields and to perform Beethoven’s Piano Concerto No. 2 with the Leipzig Gewandhausorchester.
Listen to Des canyons aux étoiles… here on iTunes, here on Amazon, and here on Spotify.
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Delft and Santa Fe Chamber Music Festivals

Inon Barnatan makes his return to the Delft Chamber Music Festival in the Netherlands for a series of four concerts with fellow musicians in residence. His visit starts off with Rachmaninov’s Second Suite for two Pianos alongside Boris Giltburg on on July 28, followed by performances featuring a range of chamber repertoire on July 30 and July 31. Find full program information and tickets here.
Shortly thereafter, Inon appears at the Santa Fe Chamber Music Festival for a solo recital on August 4 — including works by Bach, Ligeti, and Brahms — and subsequent chamber performances with festival musicians. Concerts on August 7 and 8 include works by Moszkowski and Schubert, with a finale on August 9 featuring Beethoven’s Piano Trio No. 3. Full repertoire and tickets can be found on Inon’s schedule.
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A visit to the Seattle Chamber Music Society

Inon Barnatan continues his summer season with three concerts over the course of five days under the auspices of the the Seattle Chamber Music Society. On Monday, July 1, he is joined by violinist Amy Schwartz Moretti and cellist Efe Baltacıgil for Beethoven’s Trio for Violin, Cello and Piano in D Major, No. 1, “Ghost”, followed by a Wednesday, July 13 performance of Mozart’s Trio for Violin, Cello and Piano in G Major, K. 496 with Baltacıgil and violinist Jun Iwasaki. Inon closes his visit to Seattle with performances as part of two concerts on Friday, July 15. He first presents a complete performance of Brahms’s Variations and Fugue on a Theme by Handel and then plays Schubert's Trio for Violin, Cello and Piano in B-flat Major with violinist James Ehnes and cellist Clive Greensmith. Find tickets and more information here.
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Beethoven with the Orchestre National du Capitole de Toulouse

Inon Barnatan visits the Orchestre National du Capitole de Toulouse on Saturday, June 25 for a performance of Beethoven's Piano Concerto No. 4 on under the direction Thomas Søndergård. The evening’s program also includes Beethoven’s Leonore Overture No. 3 and Tchaikovsky’s Symphony No. 2, “Little Russian”.
Find tickets and more information here.
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Chamber Music at the Spoleto Festival

Inon Barnatan joins resident musicians at the 2016 Spoleto Festival for a series of chamber music concerts running June 3 through 12. His appearances include cello sonatas by Barber and Rachmaninoff with Alisa Weilerstein and Schubert’s Erlkönig with baritone Tyler Duncan. Find more information about Spoleto’s chamber music concerts here and a full list of this season’s programs here.

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Disney Hall Debut with the Los Angeles Philharmonic

Inon Barnatan makes his return to the Los Angeles Philharmonic, taking the stage at Walt Disney Concert Hall on Thursday, May 26 and Friday, May 27 for his debut concerts at the orchestra’s home venue. He performs Mozart’s Piano Concerto No. 17 under the baton of Gustavo Dudamel, as part of a program that also includes Bill Viola's Inverted Birth and two works by Arvo Pärt: Cantus in Memory of Benjamin Britten and Symphony No. 4, “Los Angeles”.

The Los Angeles Times praised Inon’s "imaginative, animated” 2014 rendition of Mozart’s Piano Concerto No. 22 with the Los Angeles Philharmonic at the Hollywood Bowl, elaborating to say that "He has a sharp wit to go along with his marvelously varied touch, a melting, rhetorical way of closing a phrase, pointing out every detail in the finale with impish delight that was clear to all from his expressions on the giant video screens."

Find tickets and more information here.

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Friday the 13th with the Chamber Music Society of Lincoln Center

Inon Barnatan joins Chamber Music Society of Lincoln Center artists on Friday, May 13 for an evening of eerie, spine-chilling, and beautifully unnerving musical statements at Alice Tully Hall. He performs Ravel’s evocative solo piano suite Gaspard de la nuit: Trois poèmes pour piano d'après Aloysius Bertrand as well as Schubert’s song cycle Erlkönig with baritone Yunpeng Wang. The program also includes Schubert's Quartet No. 14 in D Minor, “Death and the Maiden” and works by Herrmann and Caplet.

Find tickets and more information here.

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Mozart and Rachmaninov Concertos in Toronto and Minnesota

Inon Barnatan closes April 2016 with a visit to the Toronto Symphony Orchestra, performing Mozart’s Piano Concerto No. 24 on Thursday, April 28 and Saturday, April 30 under the baton of Matthias Pinscher. Rounding out the program are the Canadian premiere of Pintscher’s towards Osiris and Mahler's Symphony No. 1, “Titan”. Find tickets and more information here to these concerts at Roy Thomson Hall.

The following week, Inon joins the Minnesota Orchestra and conductor Vasily Petrenko for Rachmaninov’s Concerto No. 1, with concerts Thursday, May 5 through Saturday, May 7. The program also includes Shostakovich’s Symphony No. 8. Find tickets and more information here.

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Copland on tour with San Francisco Symphony and Michael Tilson Thomas

Inon Barnatan joins the San Francisco Symphony and Michael Tilson Thomas for seven performances of the Copland Piano Concerto, with concerts in San Francisco, New York City, and Newark, NJ. He takes the stage in San Francisco’s Davies Symphony Hall Wednesday, March 30 through Saturday, April 2, and again on Friday, April 8. Further stops take place at Carnegie Hall’s Stern Auditorium on Wednesday, April 13 and the New Jersey Performing Arts Center in Newark on Friday, April 15.

Aside from Copland's jazz-inflected concerto, the program includes performances by the orchestra of the American composer’s Orchestral Variations and Inscape, plus Schumann’s Symphony No. 2.

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Bach Keyboard Concertos with the Calidore String Quartet

On Saturday, March 26, Inon presents J.S. Bach’s Keyboard Concertos Nos. 1-5 and No. 7 with the Calidore String Quartet in Santa Monica. More information about this concert, which is presented by the Maestro Foundation, can be found here.

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Shostakovich with Fellows of the New World Symphony

Inon Barnatan joins New World Symphony fellows on Sunday, March 20 for Dmitri Shostakovich’s Quintet in G minor for Piano and Strings, Op. 57 at Miami’s New World Center. He is joined by violinists Michael McCarthy and Lauren Densinger, violist Jesse Yukimura, and cellist Ashton Lim. The all-Russian program also includes chamber works by Stravinsky, Thuille, and Schnittke. Find tickets and more information here.
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Quartet for the End of Time at the Temple of Dendur

Inon Barnatan performs alongside New York Philharmonic Music Director Alan Gilbert (on violin), Principal Cello Carter Brey, and Principal Clarinet Anthony McGill in a special performance of Messiaen’s Quartet for the End of Time at the Metropolitan Museum of Art’s Temple of Dendur. The Sunday, March 13 concert will be livestreamed to the Metropolitan Museum of Art’s Grace Rainey Rogers Auditorium, free to attend with museum admission. Find more information here.
Quartet for the End of Time brings the culmination of the New York Philharmonic’s Messiaen Week (March 7-13), which honors the legacy of French composer and organist Olivier Messiaen through performances of his works, from the symphonic to solo works, as well as music by those whom he influenced. Inon is currently in his second season as the orchestra's inaugural Artist-in-Association, which was created by Alan Gilbert and spotlights an emerging artist over the course of three seasons through both concerto and chamber music performances and by cultivating a relationship between the artist, the orchestra, and the audience.
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Solo and Orchestral Appearances in Canada, Northern Ireland, and Germany

Inon Barnatan closes February in the north, presenting Brahms's Piano Concerto No. 1 with the Calgary Philharmonic Orchestra on Friday, February 26 under Music Director Roberto Minczuk. Traveling to Belfast the following week, he joins the Ulster Orchestra and Chief Conductor Rafael Payare Wednesday, March 2 through Friday, March 4 for Beethoven's Piano Concerto No. 3.
Inon appears at Musikfreunde Oldenburg in Germany on Sunday, March 6 for a solo recital of Bach's Chaconne (arr. Brahms), Schubert's Piano Sonata in G Major, Ligeti's Musica ricercata, and Brahms's Variations and Fugue on a Theme by Handel.
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Presenting a Solo Recital at New York’s 92nd Street Y

Inon Barnatan returns to the 92nd Street Y on February 20 for his second solo recital at the New York City venue, performing a program featuring Schubert’s Sonata in G Major, D. 894. Gramophone magazine calls him “a born Schubertian,” and his distinguished discography includes a highly acclaimed recording of the Austrian composer’s music for solo piano. Inon also presents Brahms's arrangement of Bach’s Chaconne, Ligeti’s Musica ricercata, and Brahms’s Variations and Fugue on a Theme by Handel, Op. 24.

Find tickets and additional information here.

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Just announced: Final Season as New York Philharmonic’s Inaugural Artist-in-Association

The New York Philharmonic has announced that Inon will complete his third and final season as the orchestra's inaugural Artist-in-Association with performances of Beethoven’s Piano Concerto No. 1 under Manfred Honeck February 15 through 18, 2017. Inon performed this work in Ann Arbor in October 2015 as part of the New York Philharmonic's residency partnership with the University Musical Society at the University of Michigan. He and Alan Gilbert are also collaborating on a recording of Beethoven’s complete piano concertos with the Academy of St. Martin in the Fields.

The position of Artist-in-Association, which was created by Alan Gilbert and launched in the 2014-15 season, spotlights an emerging artist over the course of three seasons through both concerto and chamber music performances and by cultivating a relationship between the artist, the orchestra, and the audience. Learn more here about the New York Philharmonic’s 2016-17 season.

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A Visit to Japan with Alan Gilbert and the Tokyo Metropolitan Symphony Orchestra

Inon Barnatan reunites with Alan Gilbert in Tokyo for Beethoven's Piano Concerto No. 3, not long after the duo's "poised, intelligent, crisp, sensitive” (Classical Source) performance of this work with the Academy of St. Martin in the Fields and subsequent recording sessions of the full Beethoven piano concerto cycle. The evening's program with the Tokyo Metropolitan Symphony Orchestra is rounded out by Beethoven's Symphony No. 7. Find more information here about this concert at the Tokyo Metropolitan Theatre.
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Beethoven and Norman with the North Carolina Symphony

Inon Barnatan joins the North Carolina Symphony for two works under the baton of Marcelo Lehninger at Chapel Hill’s Memorial Hall. He opens the program with Suspend, Andrew Norman’s fantasy for piano and orchestra, followed by an account of Beethoven's Piano Concerto No. 5, “Emperor”. The orchestra closes the evening with Brahms's Tragic Overture. Tickets to the five performances, running January 14 through 17 and 19th, can be found here.
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Ringing in 2016 with New York Philharmonic’s “La Vie Parisienne”

To kick off the new year, Inon Barnatan joins Alan Gilbert and special guests at the New York Philharmonic’s annual New Year’s Eve concert on December 31. He performs Saint-Saëns’s Carnival of the Animals alongside pianist Makato Ozone, featuring the world premiere of a new narration written by Laurence O’Keefe and Nell Benjamin and performed by Tony Award-winning actor Nathan Lane.
The evening's program also includes French vocal works performed by mezzo-soprano Susan Graham. Find tickets here.
"La Vie Parisienne” will be telecast nationally on December 31 by PBS's Live From Lincoln Center, beginning on New York City’s WNET at 8pm ET. Check your local listings for more information.
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Recording Beethoven with the Academy of St. Martin in the Fields

Inon Barnatan brings his interpretation of Beethoven's Piano Concerto No. 3 to London on December 13 with the Academy of St. Martin in the Fields, lead by Alan Gilbert in his debut conducting the ensemble. The evening’s program at Cadogan Hall is complemented by Brahms's Variations on a Theme of Joseph Haydn and Haydn's Symphony No. 90. Inon then records the complete Beethoven piano concertos with the same conductor and orchestra — marking the first time the ensemble has put the full cycle on disc — before continuing his collaboration with Alan Gilbert and the New York Philharmonic, where Inon serves as the orchestra’s first Artist-in-Association. Find tickets and more information here.
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Inon Barnatan Steps in with Tchaikovsky in Lisbon

Inon Barnatan joins Lisbon’s Gulbenkian Orchestra for performances of Tchaikovsky’s Piano Concerto No. 1 on December 3 and 4 under Principal Guest Conductor Susanna Mälkki. He is replacing Yefim Bronfman, who unfortunately had to withdraw due to illness. The program on both evenings also includes Pierre Boulez’s Rituel, which was written in memory of the composer Bruno Maderna. Tickets and more information can be found here for the concert on Thursday, December 3 and here for the concert on Friday, December 4, both of which take place at the Fundação Calouste Gulbenkian in Lisbon.
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European Tour and Live Webcast with Alisa Weilerstein

Inon Barnatan joins cellist Alisa Weilerstein on a six-country European tour this month, including a concert at the Auditorium du Louvre in Paris on November 6 that will be webcast live by Medici.tv and a visit to London’s Wigmore Hall on November 14. The longtime recital partners also appear at the Paleis voor Schone Kunsten in Brussels on November 5, Copenhagen’s Mogens Dahl Koncertsal on November 10, the Cemal Resit Rey Concert Hall in Istanbul on November 12, Bonn’s Beethoven-Haus on November 13, and Hamburg’s Laeiszhalle on November 15.
In Paris, the duo performs American composer Joseph Hallman's DreamLog — written especially for the two artists — as well as works by Schubert and Rachmaninov. The recital program in the remainder of the cities includes Chopin's Cello Sonata in G minor plus works by Beethoven, Barber, and Janácek.
The tour follows the release of the Chopin and Rachmaninov cello sonatas on Decca, which is available on iTunes, Amazon, and Google Play.
Click here to watch Medici.tv’s live webcast from the Auditorium du Louvre in Paris on November 6, starting at 8pm CET.
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Copland with the St. Louis Symphony

Inon Barnatan brings Aaron Copland's Piano Concerto to the St. Louis Symphony Orchestra, presenting three performances October 16 through 18 underResident Conductor Steven Jarvi. The all-American program also includes Leonard Bernstein’s Three Dance Episodes from “On the Town”, the Symphonic Suite from “On the Waterfront,” and George Gershwin’s “An American in Paris.” Find tickets and more information here.
Later this season, Inon plays the Copland Piano Concerto with the San Francisco Symphony and Michael Tilson Thomas in April, first in San Francisco, and then on an East Coast tour that includes a stop at Carnegie Hall on April 13.
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October Performances with the New York Philharmonic

Embarking on the second of his three seasons as the New York Philharmonic’s first Artist-in-Association – an appointment that involves performances in both subscription concerts and chamber performances, and acting as ambassador for the orchestra —Inon Barnatan launches the season on Friday, October 9 in Ann Arbor playing Beethoven’s Piano concerto No. 1 with the orchestra and its Music Director Alan Gilbert. Magnus Lindberg's Vivo and Beethoven's Symphony No. 7 complete the program. On the same day, Inon presents a masterclass for University of Michigan students, presented under the auspices of a new residency partnership between the New York Philharmonic and the University of Michigan’s University Musical Society.

Back in New York’s David Geffen Hall, Inon joins the New York Philharmonic for Mozart's Concerto No. 23 in A Major, K. 488 under Jaap van Zweden. This program is complemented by Britten's Sinfonia da Requiem and Beethoven's Fifth Symphony. 

Photo © Chris Lee

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Looking forward to the 2015-16 Season

In the 2015-16 season, Inon Barnatan embarks on his second season as Artist-in-Association with the New York Philharmonic, performing Mozart under Jaap van Zweden, Beethoven under Music Director Alan Gilbert, Saint-Saëns on New Year’s Eve, and Messiaen's Quartet for the End of Time at the Metropolitan Museum of Art. Other upcoming highlights include Inon's Walt Disney Concert Hall debut with the Los Angeles Philharmonic and Gustavo Dudamel, Beethoven with Alan Gilbert and the Academy of St. Martin in the Fields, and a U.S. tour of Copland's Piano Concerto with the San Francisco Symphony and Michael Tilson Thomas, which includes a stop at Carnegie Hall.

Inon's Chopin and Rachmaninoff duo sonatas album, recorded with cellist and longtime exclusive recital partner Alisa Weilerstein, is due from Decca Classics October 2. Following its release is a six-country tour, in venues ranging from London’s Wigmore Hall to the Cemal Resit Rey Concert Hall in Istanbul, with further stops in Paris, Brussels, Copenhagen and Bonn. In early February Inon and Alisa reunite in the U.S. for two more appearances: in Fort Worth and at Stanford’s Bing Concert Hall.

Explore Inon’s full 2015-16 season below.

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First Recording with Alisa Weilerstein Coming from Decca October 2

With cellist and longtime exclusive recital partner Alisa Weilerstein, on October 2 Inon releases an album of monumental cello sonatas by Chopin and Rachmaninov. This is the first collaborative album by the duo, who “play with a dazzling technique and a level of communication and expression so clear that they can practically finish each other’s phrases” (Boston Classical Review). The two sonatas spotlighted on the album have been explored by the pair in concert for years, and are also accompanied by shorter works by each composer — Rachmaninov’s Vocalise, Op. 34 No. 14, plus Chopin’s Étude in C sharp minor, Op. 25 No. 7 as well as his Introduction et Polonaise brillante for piano and cello in C major, Op. 3.

Following the release of the album will be a six-country tour in November, in venues ranging from London’s Wigmore Hall to the Cemal Resit Rey Concert Hall in Istanbul, with further stops in Paris, Brussels, Copenhagen and Bonn. In early February Inon and Alisa reunite in the U.S. for two more appearances: in Fort Worth and at Stanford’s Bing Concert Hall.

Pre-order from iTunes, Amazon, or Google Play.

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Messiaen’s Des canyons aux étoiles at Santa Fe Chamber Music Festival 

On Sunday, August 23, Inon Barnatan joins conductor Alan Gilbert and and and ensemble of 43 musicians — the largest group ever gathered at the festival for a single work — for a performance of Messiaen’s ecstatic Des canyons aux étoiles ("From the Canyons to the Stars”). This epic, twelve-movement masterpiece, inspired by the natural beauty of Utah’s Bryce Canyon, draws on a characteristic mix of birdsong, modernist experimentalism, and religious mysticism.

Find tickets and more information here.

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Ravel Piano Concerto with The New York Philharmonic now Available for Purchase

Inon's performance of Ravel's G Major Piano Concerto alongside Alan Gilbert and the New York Philharmonic is now available for streaming on Spotify, and for purchase on Google Play and Amazon. The recording will also be available on iTunes in the coming months.
Published June 26, 2015 Read More
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The Boston Globe: Cellist-pianist recital dramatically suited for silver screen

Recital with Alisa Weilerstein at Jordan Hall as part of the Celebrity Series of Boston. "Their interpretations were like a series of marvelously expressive close-ups: every note and phrase pinned to an exact emotion, every emotion saturating the frame."

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Inon Barnatan – First Artist-in-Association of NY Philharmonic – Makes Concerto Debut with Gilbert and Orchestra in Ravel – (March 19–24)

A major new partnership designed to foster a deeper and more rounded relationship between soloist and orchestra, the three-season Philharmonic appointment represents an all-too-rare opportunity.  Read more 

Inon Barnatan 2014- PianistPhoto: Marco Borggreve

The Boston Globe: Barnatan makes auspicious recital debut at Longy

"It was an amazing display of rhythmic, textural, and dynamic control...The technical facility and imaginative sensibility for which Barnatan has been widely heralded were apparent throughout the captivating recital" 

Published December 15, 2014  Read More

   
Barnatan NJSO

Newark Star-Ledger: NJSO plays Chopin and Brahms

"Barnatan gave a decisive, exacting take on the concerto's energetic, virtuosic moments and also displayed confidence and a feel for the work as he sunk comfortably into the composer's characteristic wistful, melodic mode. He created a mood that was bittersweet and nostalgic but not maudlin. The playing was smooth and dexterous with piquant accents at the extremes of the instrument and an appealingly focused, tapered tone.” (Ronni Reich) Published December 2, 2014 Read More

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Barnatan Chicago Trip

Chicago Tribune – Inon Barnatan, poet, intellectual virtuoso

"Virtuosity was there throughout, which is to say, from the opening Bach E-minor Toccata through the lone encore, Felix Mendelssohn's Andante and Rondo capriccioso. Its most forceful display was in Barber's thunderously difficult Sonata, and the most beguiling came in Franz Schubert's late Sonata in A major, which after intermission gave a change of pace...What made the demonstrations of intellect and virtuosity special was Barnatan's variety of touch that conveyed both the piety and perfume of Franck's "Prelude, Choral et Fugue" in addition to the ache at the heart of the essentially sunny Schubert."

Published November 4, 2014 Read More

Barnatan Subculture 9-25-2014

The New York Times – A Multitude of Voices for a Busy Young Pianist, From Bach to Liszt to Jazz: Inon Barnatan at SubCulture’s PianoFest

On Tuesday he demonstrated, in one of the most thoughtful and effective recitals I have heard from a pianist under 40, a sensitivity reminiscent of two other New York institutions, Emanuel Ax and Murray Perahia. EX300 Publish Date: September 25, 2014 Read more
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Classic Toulouse: Piano Revelation

Throughout this wonderful evening Inon Barnatan’s playing was living, vibrant, colorful, and constantly changing... every detail was technically dazzling. Published: September 13, 2014 Read More
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The New York Times Fall Arts Preview & Times 100

It is a busy season in New York for the talented Israeli-born pianist, who plays a solo recital at SubCulture in September, a program with the Jerusalem Quartet at the 92nd Street Y in October and concerts with the Chamber Music Society of Lincoln Center and the New Jersey Symphony Orchestra, both in November. He also begins a multiyear term as the New York Philharmonic’s first “artist in association,” an intriguing position intended to give rising artists extensive exposure to the orchestra’s audiences. In December he plays a chamber recital with Philharmonic musicians and his frequent collaborator, the cellist Alisa Weilerstein, then Dvorak’s Piano Quintet on the stage of Avery Fisher Hall in February before his full-orchestra debut in March with Ravel’s Concerto in G 70-462 Published: September 5, 2014 Read More - and more here  
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Los Angeles Times: McGegan and Barnatan cavort with Mozart at Hollywood Bowl

Barnatan has a sharp wit to go along with his marvelously varied touch, a melting, rhetorical way of closing a phrase, pointing out every detail in the finale with impish delight that was clear to all from his expressions on the giant video screens. 070-410 Published: August 22, 2014 Read More  
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Wall Street Journal – Fall Forward: Insiders’ Picks for the Arts & Entertainment Season

I think SubCulture is a really cool and fantastic addition to New York. It has this downtown/uptown blend, where you have a downtown club feel but still have concentration and focus. Between now and Sept. 27 they have "PianoFest." I like the variety—that classical and jazz and folk are equally likely to have an evening there. Published: September 19, 2014 Read More  
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The New York Times: The Best Classical Music Recordings of 2012

“Each piece on this recording by the brilliant and thoughtful pianist Inon Barnatan was inspired by a literary work…” Published: December 20, 2012 Read More
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The New York Times: On String and Piano, Paying Homage to Three Masters

"The unifying thread in the Chamber Music Society of Lincoln Center’s concert on Friday evening at Alice Tully Hall was the exceptionally warm, lucid playing of the pianist Inon Barnatan." MB2-702 Published: November 4, 2012 Read More
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The New York Times: Inon Barnatan at 92 street Y

"...Mr. Barnatan’s recital on Thursday evening brought the “Darknesse Visible” program to thrilling life. Published: December 9, 2012 Read More
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National Post: National Arts Centre Orchestra at Roy Thomson Hall

"[we] heard the Israeli pianist Inon Barnatan apply striking intelligence to Saint-Saëns’s easily underestimated Piano Concerto No. 2. Bold and firm where it needed to be..."70-411 Published: Apr. 22, 2013 Read More
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Cincinnati.com: CSO goes big with 'Alpine' symphony

"He displayed a light touch and rippling runs, and his phrasing was imaginative and poetic" Published: Apr. 12, 2013 Read More
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ArtsATL: ASO review: Substitute pianist Inon Barnatan stuns with Beethoven in Atlanta debut

"On Thursday, the Atlanta Symphony Orchestra performed a concert of music by Thomas Adès, Ludwig van Beethoven and Robert Schumann at Symphony Hall, led by guest conductor Hugh Wolff and featuring guest pianist Inon Barnatan."400-101 Published: May 3, 2013 Read More

Four Classical Composers, Caught in Love Affairs With Popular Music

"The season-ending program of 20th-century music that the Riverside Symphony and its music director, George Rothman, presented at Alice Tully Hall on Thursday night was well thought out, smart and illuminating. Snazzy, too."050-SEPROAUTH-02
Published: June 7, 2013
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Pianist Inon Barnatan Records New Solo Album, Out 9/10

"Called "a born Schubertian" by Gramophone magazine, pianist Inon Barnatan has recorded his second solo album for the AVIE label to be released on September 10, 2013."MB2-700
Published: August 12, 2013
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